Grand Master Of Aloofness
Balthus’s fans claim that he has singlehandedly preserved painting’s classic tradition, running from Piero delta Francesca right up through Cezanne, in the face of modern art’s insatiable appetite for novelty. That feat, apparently, required Balthus to paint a lot of nubile young girls. In “The Golden Days” (1945-46), a pubescent female with an off-the-shoulder decolletage gazes at her newly seductive self in a mirror while her skirt hikes itself (a Balthus trademark) past midthigh....